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Logic Pro? I have the ideas and know theory well enough for what I am planning. I just want the software for input via note-by-note notation or to play it into the score with an instrument and best virtual instruments for playback.

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If it is VSL — that is probably out of my budget right now. Thank you. The big difference in music composition software is between notation software and DAWs. Notation software is getting better at playback, and Dorico looks particularly promising for the future, as they are adding DAW capabilities, but you are still limited by their playback engine which writes most of the midi data.

A Beginner's Guide to Music Theory

A DAW is really performance software. DAWs allow you to perform in your music, and manipulate that midi data in many different ways. This allows you to craft the sound of your pieces. Think of MIDI as the language that all the sampled instruments and synthesizers to use to trigger the sounds. DAWs usually have weaker notation capabilities and so score creation more difficult. I also personally prefer to work out my music in notation form, so I will usually write in notation, and then move to the DAW when I am ready to get a performance version of the piece. As far as what makes it sound realistic — that is a mix of the quality of the sample libraries you use and your ability to perform with them.

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Each sample library has quirks, and you will get used to them as you go. I like the Spitfire libraries, the orchestral tools libraries, but there are many others. There are a lot of sample libraries now. Digital Performer, Logic, Cubase, Studio One… they are all very good at this point, and it becomes about your own preferences.

Thank you, Jon.

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This is encouraging. It is helpful to see your approach with both Notation software and the DAW, using each for what it is best suited. I was hoping for an all-in-one but I see how knowing both are important. Is there a format you save in, whether in Sibelius or a DAW that allows you to use it with other notation software or other DAWS later, or is that not a concern?

Usually I use midi to go between them. I usually perform it in from the individual parts. The exception is drum parts, which for the most part are pretty straight forward.

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A little manipulating of the midi data brings a human touch, and you can always still re-perform it in. The other thing that helps, is to perform small chunks at a time. You can get good at doing 2, 4 or 8 measure sections quickly. Thanks so much for your advice by way of sharing your approach.

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Once I dive into it, hopefully this summer, I may get back to you. I have not started delving into your lessons, etc,. Okay Jon, please give me some advice for this. In no way am I trying to insult the program. While it does move rather fast and can be hard to follow just because music theory was never my thing, it is fairly informative. Being able to play with more chords would give me more freedom while writing, but I need to know what those chords are.

Here is a post in my forum about 7th chord inversions. I do think I discuss in one of the early videos about tonic and dominant, but you can also check out my article on diatonic harmony. If you just started wanting to compose but have always had a passion for music where do you start when writing music? I have been in band for almost 4 years now. I can kinda play the piano.

Alicia, I would start with a solid understanding of how composition works. The best place is at my Start Here page on the site. From there, you can sign up for the free course which should take you through the process in a gentle way. Are there any books to learn music theory like fundamentals of scales,chords,chord progression etc? My courses teach how scales, chords, progressions, melody, harmony, and form all work together so you can compose. If you need to learn to read music, I suggest starting by looking around youtube. It is customary, or was until not too long ago, to think of the average rock band as 3 guitars and a drum, expertly manipulating 3 chords to create what on the surface sounded like standard outpourings of music that would quickly and easily be replaced with just another catchy tune.

How about that? Faith has an orchestral accompaniment, a string orchestra no less which is reading from a score that has been composed and orchestrated. Listen to the enormous output of the Beatles for example. Each recording is actually a work of art, and while Lennon and McCartney are undoubtedly hugely talented and creative, I think the real genius behind them was someone with the skills of a classical composer because so many of their recordings feature little bits of genius that only a real composer could deliver. I guess George Martin filled that role. Perhaps all the members of the group were more than just instrumentalists.

Is this regarding the notion that the original composition is structurally devoid of any flaws requiring arrangement as in re-arrangement, remixing context? I apologize if that is a fundamentally basic question, but the context in which arrangement is used around me and by me in my life is not relating to remixing. Arrangement is a term that is somewhat ambiguous. Arrangement can refer to the form, it can also refer to the orchestration, and it can also refer generally to what instrumentation is used, and not how they are used orchestration.

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Obviously all of those are important, and they are addressed in other articles, and podcasts throughout the site. I recommend listening to the podcast episodes on orchestration, and form specifically. When writing a pop tune, if you want an instrumental break do you write the accompianment or leave it to the performer to fill in and just fill in the melody with no words.

But I also have no idea what instruments a performer will use, or even if s he will change the music style. These are all very context specific questions. When I write a tune, I usually write a lead sheet. If I want to make an arrangement of that tune, I will go more in depth on parts, but depending on the band and players, it can be just chords, or it can be intricately written out.

Copyright is much more complicated than the number of bars. I recommend reading around the internet on trusted sources for the subject to get a better grasp. Bob, I recommend signing up for the free course. It should get you started in the right direction. Thank you so much for this encouragement via the lesson. In fact, I have been shying away from composing because I thought it was pretty difficult.

I have a request. I am aware of Sibelius and Finale. You can download the free finale notepad to try out the software. It works the same, but with limitations. Hi, I am 25 years old and Right now I am very fond of Music though thats something late to know my interest, now I am learning Piano with a great zeal and love for it.