Art cannot accept this kind of overcrowding with the theatre of the world.
I would nevertheless […] like to underline that this sensibility and way of being that I here describe as corrupted and perverted by the theatre is something very current—virtually universal. According to him, because of the theatricalization due to the device chosen, the absorption of the lead actor takes on a new visibility.
So one cannot help thinking that making anti-theatricality the sole instrument for reading the aesthetic changes of the half century just elapsed may at times verge on blindness. Art and Objecthood. Traduction de Simon Pleasance. Haut de page.
File:Fried Michael Art and Objecthood Essays and Reviews 1998.pdf
It is a good example of a definition-centered, comparative analysis between two modes of art-making, though, and could be used to inform other research attempting to compare two distinct concepts in art. You are commenting using your WordPress.
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- File history!
- Art and Objecthood : Essays and Reviews;
- supersymmetric quantum mechanics thesis.
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